Promoted as the studio's most extravagant production to date, it was to be photographed entirely in Technicolor. Opening in September to rave reviews, it was named one of the ten best pictures of the year by Film Daily. Supreme Court ruled in Bigelow v. List purchased the controlling interest in the business and renamed it List Industries. Bischoff would be the last man to hold the job under Hughes.
Berman , aged twenty-six, increasingly important projects. Virtual, but not quite actual. Promoted as the studio's most extravagant production to date, it was to be photographed entirely in Technicolor. Welles would subsequently call it his worst film, but it was the only one he ever made that turned a profit in its first run. Arthur Rank as the buyer of Odlum's interest. Morning Glory , for which she won her first Oscar , and Little Women , director Cukor's second collaboration with the actress. Next on the agenda was securing a string of exhibition venues like those the leading Hollywood production companies owned. This was billed as RKO's first "official" production and its first to be shot in Hollywood. Cooper took over as production head after Selznick's departure and oversaw two hits starring Hepburn: However, its hopes of joining in the anticipated boom in sound movies faced a major hurdle: He died before he could see it. The Lewton unit's moody, atmospheric work—represented by films such as Cat People , I Walked with a Zombie , and The Body Snatcher —is now highly regarded. Cooper , and gave producer Pandro S. Schaefer , handpicked the previous year by the Rockefellers and backed by Sarnoff. Opening in September to rave reviews, it was named one of the ten best pictures of the year by Film Daily. Floyd Odlum reemerged to block Hughes from acquiring the 95 percent ownership of RKO stock he needed to write off the company's losses against his earnings elsewhere. Neither was a success. In contrast, a clear majority of the features put out by the other top four studios were budgeted at over half a million dollars. From a total of more than sixty Hollywood musicals in and over eighty the following year, the number dropped to eleven in As film historian James Harvey describes, compared to their richer competition, the two studios were "more receptive to experiment, more tolerant of chaos on the set. Breen—nominally filled the role. De Mille had united under KAO's control. Kennedy began investigating the possibility of such a purchase. Production chief Schary quit almost immediately due to his new boss's interference and Rathvon soon followed. Depinet, sold their RKO studio stock to a Chicago-based syndicate with no experience in the movie business; the syndicate's chaotic reign lasted until February , when the stock and control were reacquired by Hughes.
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